000			01748nam a2200229 a 4500
003			AR-LpUFA
005			20250225130431.0
008			230201s1979 ve r 000 0 eng d
020			_a0193173093
024	8		_aDAR-M6919 _b7997 _zDAR006686
040			_aAR-LpUFA _bspa _cAR-LpUFA
080			_a781.42
100	1		_aMorris, R. O.
245	1	0	_aIntroduction to counterpoint
250			_a11a reimp. ed.
260			_aLondon : _b Oxford Univesity, _c1979
300			_a54 p. ; _c21,5 cm.
505	0		_a Introduction -- 1- Note against note; rules of melodic and harmonic progression -- 2- Two notes to one; unaccented passing notes; auxiliary note; subsidiary notes; accented passing and auxiliary notes; diatonic and chromatic -- 3- Three, four, six and eigth notes to one; types of pattern commonly employed; changing notes -- 4- Tied notes and suspensions -- 5- Suspensions (continued); delayed and ornamental resolutions; combination of movement in the added part with suspensions in the C.F. -- 6- Mixed rhythm (or Fith Species). Additional figures employeed in this species; transformation of first species intro fifth by melodic decoration -- 7- Combination of two parts in Fifth Species; choice of methods available -- 8- Three-part counterpoint, note against note, with or withhout the use of passaing notes; doubling or omission of notes from a three-part chord -- 9- Combined counterpoint in three parts; first, second and third apecies; first, third and fourth apecies -- 10- Addition of two free parts in free thythm, with or without imitation -- 11- Four-part counterpoint; recapitulation of Chaters VIII, IX and XI, with the addition of fourth part
650		4	_aTeoría de la música
650		4	_aContrapunto
942			_cBK
999			_c27929 _d27929