000			02136nam a2200241 a 4500
003			AR-LpUFA
005			20250225130435.0
008			230201s1973 xxu r 000 0 eng d
020			_a0393006816
024	8		_aDAR-M7044 _b8141 _zDAR006806
040			_aAR-LpUFA _bspa _cAR-LpUFA
080			_a781.68
100	1		_aKeller, Hermann
245	1	0	_aPhrasing and Articulation : _bA contribution to a rhetoric of music with 152 musical examples
260			_aNew York : _b Norton, _c1973
300			_a117 p. ; _c19 cm.
490	0		_aThe Norton Library
505	0		_a CONTENTS -- PART ONE -- General Backround -- Translator's preface to the Norton Library Edition -- Chapter 1. The problem -- Chapter 2. The Language of Music -- Chapter 3. Fundamentals of pharasing -- - Irregularities in the construction of phrases and phrasing -- - Phrasing through extension -- - The phrasing of larger sections -- Chapter 4. Fundamentals of Articulation -- - The legato -- - The staccato -- - Intermediante gradations -- - The effects of intervals, of non-harmonic tone, of rhythm, of pitch and intensity upon articulation -- Chapter 5. Musical Articulation in the Seventeenth and Eighteenth Centuries -- - The slur -- - Rest, wedge, and dot -- - The non-legato -- Chapter 6. The Construction of Groups through Articulation -- - Slur and beam -- PART TWO -- Phasing and articulation in the works of Bach, Mozart, and Beethoven -- Chapter 7. Phrasing in the music of Johann Sebastian Bach -- Chapter 8. The articulation of the Bach Chamber Music -- - Legato -- - Staccato -- - Non-legato -- - The articulation of grups -- - Grups of three -- Chapter 9. Articulation in the Unmarked Clavier and Organ Music of Bach -- a) Clavier Works -- The Well-Tempered Clavier, Book I -- The Well-Tempered Clavier, Book II -- b) Organ Works -- Chapter 10. Aticulation in the works of Mozart -- Chapter 11. Articulation in the works of Beethoven -- Chapter 12. The nineteenth century -- Bibliography -- Index of names --
650		4	_aTeoría de la música
650		4	_aComposición e interpretación
700	1		_aLeigh, Gerdine, _etr.
942			_cBK
999			_c28032 _d28032