000			01296nam a2200217 a 4500
003			AR-LpUFA
005			20250225130434.0
008			230201s1962 xxu r 000 0 eng d
024	8		_aDAR-M7026 _b8119 _zDAR006789
040			_aAR-LpUFA _bspa _cAR-LpUFA
080			_a781.632
100	1		_aJacob, Gordon
245	1	0	_aThe elements of orchestration
260			_aNew York : _b October House, _c1962
300			_a216 p. ; _c21,5 cm.
505	0		_a CONTENTS -- Foreword -- PART I: THEORY -- 1. An outline of the History of Orchestration from Haydn to the present day -- 2. The String and Woodwind sections separately considered -- 3. Transposing Instruments: Woodwind and Horns -- 4. The Trumped, Cornet, Trombones and Tuba: the Brass as a whole -- 5. Percussion-- Harp and Pianoforte -- PART II: PTRACTICE -- 6. The Small Classical Orchestra -- 7. The Full Orchestra -- 8. Some aspects of orchestration in the twentueth century -- 9. Cueing missing parts -- 10.Further examples of cueing, using pianoforte -- 11. Some general principles of orchestration -- 12. The compases of the instruments: String harmonics: Foreign names of instruments which differ from ours -- Bibliography -- Index
650		4	_aComposición
650		4	_aInterpretación
650		4	_aOrquestación
942			_cBK
999			_c28018 _d28018